jeanneferris.com – Page 5 – writer & journalist, essays & latest updates

Why are the faces of Tibetan Buddhist monks so familiar?

July 17th, 2016

Why? Is it because they really are reincarnated? Or maybe, we are too and therefore, that sense of familiarity goes both ways. The only difference is—is that His Holiness, the 14th Dalai Lama hasn’t recognized anyone outside of the monastery as reincarnations of highly evolved human beings. Let alone females. I’m not complaining. Just stating the facts. Well…maybe just a little.

So much has been written about the Tibetans since their auspicious flight (auspicious because H.H. dreamt about it and succeeded in extricating valuable cultural Tibetan artifacts and other holy teachers) from an inevitable, hostile and violent Red China takeover. Unless you crawled out from under a dry rock in the Bedouin desert and practice seventh century philosophies with camels and goats as company (wait, I guess Buddhism began in the sixth century, sooo…why is it more evolved?), we all know who the Dalai Lama is and how his life of compassion and forgiveness is an exemplary living testament to such seemingly unattainable realities for most humans. I mean, he has on several occasions ON RECORD, said he forgives Mao Tse-Tung and the Republic of China. Note to self: they do not forgive him nor do they recognize him as the leader of Tibet. Hmm. What would Confucius say?

BBC has reported long ago on the deliberate, horrific acts of genocide against the nuns and monks of pure Tibetan bloodline. Anyway, I digress.

When I saw the magnificent two-dimensional sand mandala in person, it looked fake. Like they (the monks of Gaden Shartse Phukhang Monastery) had laid down a tablecloth with puffy brightly colored ink or fondant of mysterious Tibetan symbols and then ran in with their special tools before everyone showed up. But then, that would be a lie and Tibetan Buddhists do not lie. You hear about these mandalas and (now the new fad is for adults to draw and color in books of mandalas) and by the time you actually see one, it’s no big deal.

Till you see one up close. 

Colored sand. Plus two metal tools. And four days. Really BIG deal.

Yeah. It’t a good thing H.H. had a premonition because we (the First World) would never have been invited to view their private religious ceremonies up close or listen to their powerful prayers (chanting). As Geshe Lama Phuntsho opened his sermon at the Unitarian Universalist Fellowship, Compassion Without Limit, I thought to myself: God. He looks so familiar. And so open with a gigantic smile that pulled at my heart and made it swell. I felt like the Grinch whose heart was too small. It swelled and it swelled till I found myself grinning back like an idiot and wanting to give all my money to the monks.

The Sunday service at UUF is always held outdoors in the Amphitheater and really feels like one is back in The Garden. Without the apple tree and the serpent (thank God, no rattlesnakes). As a practicing Catholic and Marian devotee, this was as alien as—actually, this felt familiar too. I imagined this must have been how the pagans or Druids must have felt dancing under the oak trees. Ours was a pine tree. And we were sitting.

Geshe Lama Phuntsho starts his sermon with how “Buddha was born under trees, taught under trees and died under trees. It feels right to be here talking about love and compassion under trees.” Watching his genial and unlined face while listening to his accented, intelligent voice gave me pause. His words permeated my being and feeling guilty, I began my mental recitation of those I needed to forgive. Oh my tiny heart, keep swelling. And please God, bless everyone so that we can hurry up to see the destruction of the mandala. I mean dissolution.

Everything the monks do is with great deliberation and ceremony. Nothing goes without prayer and chanting. Or chanting prayers.

I love it. I care. I breathe in deeply as if to fill my tiny heart with love and compassion. For a fleeting moment, I am able to rewire my brain.  And then, bells. I mean real bells —ringing from the monks. They surround the table and move in a circle. A dry paintbrush appears in Geshe Lama’s hand. With a slow stroke, Lobsang Khamchuk Rinpoche follows him and starts at the center of the mandala and creates the first stroke wiping through it. Then two, then three…you get the point.

Whoa, Nellie! It almost pained me to watch. The lesson of impermanence is not without discomfort. This lesson is inherent in the Buddhist principle that life is transient because all things are impermanent. Sweeping it up into a little mountain, they added more sand? Geshe Lama said that it was from India (crushed marble stone, I asked) and that it had been blessed by a 1,000 monks. Sounds like an alternative rock band. Or a restaurant. With that said, they put a little into tiny (like my heart) plastic bags and gave one to everyone present.

Geshe Lama said that just a few grains of sand would purify or bless a place (trees, mountain, lake, home) with healing and or protection. It can also be used to assist a dying person by placing it on his/her crown with a little (tiny) butter. Why butter you ask? (I asked.) So that the sand would stick and not fall off. Does margarine count? You really are irreverent. Yeah, you.

With that said, we were all invited to join them at the beach to return the sand to the sea (traditional closing gesture whether it be sea, lake or river) and to close the ceremony.

Geshe Lama Phuntsho

 

As we left, I felt as if the best party with an open bar had just given last call and it was time to call Uber.

Deflation set in after so much excitement in being a part of a twenty-five hundred year old mystical ceremony that had just taken place in a present day reality of boogie boarders, surfers and sunbathers. I can see why people think retreating to an enclave of like-minded individuals praying constantly as a collective is enticing. I am sure it is not without its challenges just like a condo complex and its Mello Roos and HOAs.

A Benedictine monk once told me he tried to go to confession weekly though sometimes he would lapse and it would turn into a bi-weekly. Astonished (I go once a year if that), I asked him what he had to confess since he lived in a monastery. Smiling, he said, “I’m not an angel. I’m human and sometimes, I think thoughts that are untoward against my brothers. We don’t always agree on everything!”

Okay, then. Even the monks struggle to be angels. There’s hope for us all.

God bless you. Namaste. Blessed be. Shalom. Be kind, j

 

 

 

Au revoir! Teddie Tillett ~ March 23, 2016

June 22nd, 2016

My dearest Teddie:

For many, many weeks I have refused to believe you have really left us to muck about down here on earth, amongst the lost and found without your wry, dry humorous commentary and outfits so fabulous, it has inspired all sorts of DIY projects that is now called repurposing. You were ahead of your time.

You always saw beyond the blemish or broken and envisioned beauty that with just a little acceleration of your Nimbus 2000 sewing machine and a glue gun—Voila! You created so much splendor. Your Eiffel Tower lamp with a working clock and its perfect French canvas lampshade lights up my dining room like your spirit and friendship always lifted me.

And every time I hear Norah Jones—I think of you.

When a young Norah performed at the Greek Theatre, we drove together (actually you drove and expertly navigated through peak LA traffic I might add)…And from the height of your stilettos and your magic bag of tricks, you would produce sparkling water (because it sparkled) and black cashmere in defiance of the evening’s chill—without batting your long eyelashes. I remain in awe of your memorable blue topaz eyes—and of your 20 inch waist.

The last time I saw you—we were celebrating your 60th with Italian red wine and eating gourmet, personal pizzas handcrafted  by your man whose moniker is the Pitbull of Comedy.

Anyway Teddie, I took it for granted that I had more time to speak in person and laugh with you. I’m sorry I didn’t call when I said I would. But again, you already know this too. In selfish frustration, I miss knowing you are here—in the flesh.

I hope that you’re having fun at THE Rock Party of 2016 with Prince, Merle Haggard and David Bowie. I know heaven is swathed in pink tulle with you around. I can hear the angels and saints saying, “Gosh, it looks better already, Tillett!” Whether here or there—you always make a difference. I just wish I had met you sooner— so that I could have loved you longer.

Your faithful friend and sister from another mister,

j

(Appropriately, Teddie is hovering behind with her arms around us.)


 

The Envelope please…

February 24th, 2016

 

And the winner is…

I have taken this ballot from People magazine and I haven’t always liked Oscar’s choices for Best Picture but then “he” likes melodrama and sometimes, I don’t. As far as the whole Black actors having been dissed, am I missing something or is Chris Rock a black man? And did not 12 Years a Slave have black actors last year which won several nominations and an Oscar for Best Supporting Actor? And last I checked, the president of the Academy Awards is a woman and is —? Psst, her name is Cheryl Boone Isaacs.

Hmm…methinks those with a myopic view regarding diversity needs to be evaluated by a professional.

For the record, I chose Sylvester Stallone (before his fame in Rocky, he once told me beer was bad for me) in honor of senior citizen actors, but keep an eye on Tom Hardy, he is an amazing chameleon who disappears into his characters and wears them like skin. If he continues choosing roles like he has, he will be accepting the Oscar for Best Actor in the near future.

I am ready for my close-up, Mr. DeMille.

Happy Viewing.

Peace, j

2016 ~ Year of the Monkey

January 28th, 2016

This year is filled with monkeys all right—and they are not in the Amazon—they are all actually running for president in the U.S. of A.!

The above images are from KingFisher, The Concise Children’s Encyclopedia…I couldn’t find the comb-over but I’m pretty sure the former Secretary of State (remember, Benghazi?) is in there.

This month is almost over and before we know it, Fat Tuesday will be here. And then, it will be 40 days and nights of denying ourselves or abstaining so as to be worthy by Easter Sunday. Unless you are Jewish…or Buddhist…or even atheist (doesn’t even qualify for an uppercase A)—in which case, how’s that working for you?! Different kind of bliss, I imagine.

And then, there is they-who-shall-not-be-named. They’re just mad dogs and should be put down as such. But don’t get me started…

What’s on your abstinence list?

Mine? Gluten.

God bless you and yours. Make the last word they hear from you be…love.

No regerts,   j

Happy Chanukah and Happy Christmas-

December 8th, 2015

Fairmont Grand Del Mar – Christmas carolers

May you be warm, well fed and surrounded by familial love.

Peace to all,

j

Ignore the bad reviews including Forbes. I loved Spectre!

November 30th, 2015

Ignore the bad reviews including Forbes. I loved SPECTRE!

Yes, another Bond movie, another song (Sam Smith is not memorable for me at all as the singer ;-( another steady girlfriend—wait! What happened to Vesper Lind?

Where have you been? She drowned herself as a traitor to 007. However, (yum, yum) 148 minutes with Daniel Craig is waiting for you at the cinema.

Enter, Madeline Swann (Lea Seydoux). A French doctor, no? (so smart and educated too). Just wondering if she graduated at 15 from high school because she didn’t look old enough to have a Phd. Also, turns out, she was the daughter of Mr. White, remember him? He was the one who enslaved Vesper and caused such anguish for our beloved Bond. But wait, there’s more cuz the plot thickens…

First of all, the opening is one of the most “SPECTRE-acular” ever. EVER. An immense undertaking—talk about a cast of thousands. Epic. As in Cleopatra.

A few “Firsts” that I noticed were:

  • We got to see Bond’s cool pad—who knew he lived somewhere?
  • Dr. Swann told Bond she loved him. Not even Vesper said those three words…
  • Daniel Craig is listed as one of the producers—mucho dinero on the back end?
  • Although, a mere shortchanged 15 minutes on screen, Monica Bellucci is an absolute knockout. Who gives a $#@% how old she is? Sexy is as sexy does.
  • Not really a first, but why do all the bad guys malign the poor reclusive octopus/kraken/giant squid as their logo? Eg.: Hydra from the Avengers, Marvel Agents of Shield, and of course, Spectre.

There were some glaring continuity bloopers, but again, I enjoyed every minute of the cinematic glory of SPECTRE at the Angelika theatre. Even if Craig’s suits looked a tad too small, Guv’ner to be jumping off of the roofs in Mexico City…I would have preferred his shirts were completely torn off in the process than a single buttoned blazer with a fresh crisp white dress shirt. 😉

I read every Ian Fleming book on James Bond, 007 when I was 13 years of age. For me, Craig has depicted the closest portrayal of the character that was penned by Fleming— even more so than the Scottish Sir Sean Connery.

Bravo Barbara Broccoli! Cubby would have been proud how you have brought Bond forward into the new millennium. Or— maybe, not. He didn’t exactly make the Bond girls— poster girls for feminism.

Sigh. Heroes are so hard to find.

That’s all folks!

Peace,  j

dia de los muertos, day of the dead, nov 1

November 9th, 2015

Dia de los muertos gives new meaning to ”dancing on graves” as it is a South and Central American tradition of honoring those who have gone on before us with altars comprised of favorite things and foods. Celebrations of dining, dancing and musica is also a part of the tradition.

A big celebration which is also known in the Catholic religion as All Saints Day is on the same day.

Which lady used decals? The other two painted their faces…

 



 

 

 

 

 

 

Betcha’ you couldn’t tell—decals baby!

A typical altar dedicated to a dearly departed…

 

 

 

 

 

 

 

 

 

All my friends drive a low rider…

God bless all the heavenly saints and dearly departed,

jeanne

Questions that make you go, “Hmm”…

October 27th, 2015

Opening night at the San Diego Film Festival this year screened the U.S. premiere of “Septembers of Shiraz” starring Adrien Brody and Salma Hayek, a story about a rich family (Brody plays an Iranian Jewish jeweler whose family and he become persecuted under the Ayotollah’s regime). This film for the record, was not my favorite—ever. It felt all the same—not enough shifts in the emotional tone of the story and frankly, the story despite the heavy subject of the very real persecution of Persian Jews in Iran was flat and unemotional for me. It was a lot of telegraphing by music and dialogue of what was to happen next and not enough showing.

The gorgeous Hayek was ill cast in my humble opinion. She did not feel authentic for me as a Persian Jew—her accent still sounded Mexican and her personality did not strike me as a 1970s Middle Eastern woman…and nothing pulled me out of the story faster than those four inch platform designer shoes while everyone was running around in flats on the dusty streets! And I am not talking Elton John platform (apropos for the ’70s —I am talking, ‘short woman complex with a lot of money I will tell the stylist what I want to wear platform shoes’.

Brody’s earnestness and commitment to the character couldn’t save it either. He didn’t seem comfortable in the role and therefore, neither was I comfortable for him.

Fifteen minutes into the movie, Hayek calls her husband, “Baby” and it rang so false, I cringed physically and for the rest of the film, it felt like watching a bad accident. I blame the director, Wayne Blair on this. He couldn’t hear this falsehood…and a few others?

Shohreh Aghdasloo was the only authentic quality in the film other than the perhaps, the Manischewitz (I presume) wine served at Shabbat. Even the location seemed less than par. I think everyone’s heart was in the right place with this story but unfortunately, it really was not only too long but dull performances and dull storytelling.

The Q & A afterward revealed a very shy Adrien Brody which Tonya Mantooth handled with her usual gracious and sensitive dexterity.

My favorite question that made me go, Hmmm—was from a man in the audience directed at Brody:

“Did you use a butt double for your naked scene?”

Well, you can imagine the laughter (relief from the film being over?) that ensued, myself included. Brody’s response was sincere flabbergastedness (I made this word up)…he couldn’t even answer and professed he didn‘t know how to. For the record, the naked scene was a torture scene of Brody in prison which even the torturing couldn’t elicit sympathy. Sigh. I really wanted to respect this film—but it simply couldn’t rise to the powerful true story of “12 Years a Slave” opening two years ago.

Actor Adrien Brody receiving the Cinema Vanguard award at the San Diego Film Festival Tribute

 

 

 

 

 

 

 

 

 

Geena Davis also at the Tribute receiving the inaugural Reframed Humanitarian Award

Social Justice Panel at Sparks Gallery – San Diego Film Festival

From left: Filmmakers, Thomas Morgan,  Hayley, Jack Robbins, Leslee Udwin, and Kweku Mandela

Someone in the audience asked if politicians were a good avenue for making change and Ms. Udwin answered they were a complete waste of time and the audience cheered and clapped. That was a question that made me go, ”Hmmm” because I disagreed and contemplated making the disagreement public and then…

The absolute perfect conflict was when Mr. Mandela (Nelson Mandela’s grandson) intervened vehemently by disagreeing and said that politicians were indeed a valuable resource and that they should always be held accountable for being part of any change for the better.

And I applaud his contention and say AMEN, brother!!

That’s all folks. Be well,

jeanne

Jason Segel is a funny yet serious…“superhero of a smaller country”

July 30th, 2015

Actor Jason Segel and eleven time Emmy winner, Tonya Mantooth, SDFF’s Director of Programming

In case you missed the memo, the San Diego Film Festival is here to stay and rocking the Casbah (or Arclight La Jolla in this case). The V.I.P. monthly screenings include a hosted bar, gourmet appetizers and an independent film screening. Which is usually followed by a Q & A with a cast member, director or writer from the film.

The final July screening was called, The End of the Tour, a Sundance Film Institute project.

This film is about a heretofore unpublished five day interview by Rolling Stone’s reporter, David Lipsky with novelist David Foster Wallace. This was an actor’s dream because the entire script was dialogue, dialogue, dialogue. With plenty of unspoken nuances between Jesse Eisenberg (playing Lipsky) and Segel (playing DFW). It was a very cerebral, intense two hours and thirty minutes. Do not expect Jurassic World nor Guardians of the Galaxy.

Speaking of…Segel willingly confessed when he was much younger, he used to playact so much, he once went to school with a Superman costume under his clothes. Apparently, he really, really wanted to be a superhero.

After sharing this story at a first time meeting with James Ponsoldt (director) and Eisenberg (and subsequently at the Q & A with us, the audience)—Well, Captain America, Segel self-admittedly is not—there was a small quiet pause and Eisenberg softly said, “You could be a superhero of a smaller country.”

Needless to say, Segel and Eisenberg got along famously.

Literally. And figuratively.

You can well imagine the hilarious uproar that ensued…it was a full house and superhero fun.

Come join the laughter at the Festival!  —j

 

How would have wordsmith Cousin Jimmy answered?

July 30th, 2015


Hola Summer!! Hola Chef Luisteen!!

We attended a summer fiesta in Santa Luz with the very continental, French Biddyman (an affectionate nickname and another story) where we were served the most exquisite meal.

This taco was so amazingly fresh, sophisticated, and so beautiful—How would have eloquent and wordsmith Cousin Jimmy  have answered regarding the meal?

“Yummy and delicious!”

Exotic ingredients included;

  • prickly pear cactus (nopales)
  • sweet cranberry confit

All the ubiquitous Mexican fixings were offered such as:

  • avocado
  • cilantro
  • radishes
  • cucumber
  • red onion

Handcrafted tomatillo, chipotle, picante and lime salsas. All minced or sliced for easy eating and heating. The toppings were served on a very user-friendly, cereal bowl-sized handcrafted corn tortilla by Auntie and cooked in rapid speed by her nephew, Chef Luisteen. Chef Luisteen is from Puesto which is a family affair: there is a street food truck and two locations, downtown and La Jolla.

The grill was from Europa and was designed for crepes (a little French slipped in there). The cheese was the first to be heated (looked like a scrambled egg with guest selected toppings added to the cheese). There was steak and chicken for the less adventurous. I had six— one of everything!!  (Shh, who’s counting.)

Next fabulous party—Chef Luisteen will be serving it up for us.

Salud, j